It's our 50th episode! And we're spoiling ourselves by watching one of the greatest entries in the superhero movie genre and immediately questioning its place on top... Superman: The Movie!
Is this movie the best Superman comic that we've yet made? Why does Jor El care about inspiring an alien race when his whole planet is dying? If you were trying to blend in at a '70s newsroom, why play a bumbling, attention-grabbing anachronism? And the fact that Otis sounds like the Jawas aside, how perfect is John Williams' score in this?
So join us, you diseased maniacs, as we celebrate our fiftieth show!
We talk a lot about comics becoming movies on the podcast. Here's a movie that became a comic, but in the process evolved into something truly ambitious and bizarre. This episode we read Jack Kirby's 2001 comics adaptation.
2001: A Space Odyssey, a product of two geniuses in two different media, Stanley Kubrick in film and Arthur C. Clarke in print, filtered and translated through a third.
We're breaking format to take the ultimate trip and check out what happens when you take an already great work of art and hook it up to Kirby's dream machine.
In short, the new seed is the spirit of our own self belief. Think about it.
Pictured here: omgwtf
We've got a special request to talk about X-Men Oranges Wolverine! So I guess that's what we're doing now.
Could we please have a movie where an actress of Lynn Collins caliber plays something more than a love interest who dies to motivate a dude? And oh man, Wolverine? Northwest Territories? Daniel Negreanu? Get ready for the most Canadian movie since Men with Brooms. Also get ready for more fakey French Canadian accents cause Gambit returns!
Spoilers? This movie has next to nothing to do with wolverines, which is disappointing as they're like totally badass out there in the woods. Oh well!
PS: It's our last full episode before our big 50th and also before we take a brief Summer vacation. Stay Tuned!